Natalie Merchant with the Colorado Symphony

UMB Bank Presents

Natalie Merchant with the Colorado Symphony

Tue, July 17, 2012

Doors: 6:00 pm / Show: 7:00 pm

Denver Botanic Gardens - York Street

$63 member / $68 general public

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Natalie Merchant
Natalie Merchant
In conjunction with her next orchestral recording (release planned for this spring), Natalie Merchant will undertake an extensive touring project performing with symphony orchestras throughout the world, including a stop in Denver to play with the Colorado Symphony.

Over Natalie Merchant's 30-year career, she has earned a distinguished place among America's most respected recording artists. With her latest and highly acclaimed Nonesuch recording entitled, Leave Your Sleep, which debuted on the Billboard Top 200 at No. 17, Merchant embarks on a new artistic path, creating songs from literary inspiration which are composed for expanded musical ensembles and orchestra.

Merchant began her musical career as the lead vocalist and lyricist of the pop music band 10,000 Maniacs and released two platinum and four gold records with the group between 1981 and 1993 (The Wishing Chair, In My Tribe, Blind Man's Zoo, Hope Chest, Our Time in Eden, and MTV Unplugged). Together with artists like R.E.M., they defined college rock and created the first wave of alternative rock bands and what became known as the alternative rock format on FM radio.

In 1994, Merchant began her solo career with a self-produced debut album, Tigerlily. In the years following, she released Ophelia (1998), Natalie Merchant Live (1999) and Motherland (2001). In 2003, Merchant independently released an album of American and British folk music, The House Carpenter’s Daughter, on her own label, Myth America Records.

Live performances of her new music have been enthusiastically received by her long-time fans and new audiences. Following her symphonic debut with the Boston Pops Orchestra, critics observed, “Merchant has found her medium…but Merchant's woody quaver has never sounded quite so right as it did framed by flutes, a weaving clarinet, and a gentleharp.” (The Boston Globe).

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